Showing posts with label Maya M. Show all posts
Showing posts with label Maya M. Show all posts

Saturday, July 23, 2016

TFBT: Zeus Wives and Lovers, Part 1


Recently Maya M and I were discussing the wives and loves of Zeus.  One of us suggested comparing the first list and the second.  Hesiod lists seven official wives for Zeus in the Theogony.  His list ends with Hera.  Homer has Zeus list his seven greatest passions prior to the moment on Mt. Ida with Hera (Iliad 14.312-328)  To my surprise I can find no papers on this topics. I will start my analysis with the Lovers.

Then in answer spake to her Zeus, the cloud-gatherer: "Hera, thither mayest thou go even hereafter. But for us twain, come, let us take our joy couched together in love; for never yet did desire for goddess or mortal woman so shed itself about me and overmaster the heart within my breast--nay, not when I was seized with love of;”  

  1. the wife of Ixion, who bare Peirithous, the peer of the gods in counsel” 
  2. Danaë of the fair ankles, daughter of Acmsius, who bare Perseus, pre-eminent above all warriors
  3. “(Europa) daughter of far-famed Phoenix, that bare me Minos and godlike Rhadamanthys.” 
  4. Semele bare Dionysus, the joy of mortals
  5. Alcmene in Thebes, and she brought forth Heracles, her son stout of heart,” 
  6. Demeter, the fair-tressed queen;   
  7. Glorious Leto

Universally, his recital of the names of his lovers at this moment is considered a poor way to seduce his wife.  Maybe he is trying to “seduce” himsef.   

Here is my first observation.  He lists his lovers in ascending scale of social status;

  1.  The first is an unnamed mortal woman with no family of conseuqence.  
  2. Danaë is a mortal woman and via her son Ancestress of most the royal families of Greece.
  3. Europa is a  mortal woman and descendant of the Nymph Telephassa, whose sons became daemons in the Underwold.  (More on this later but the descendants of Telephassa produced an unusually high number of gods and goddesses.  They were more than merely human.
  4. Semele was a moral woman and descendant of Telephassa and her son became an Olympian god.
  5. Alcmene a mortal woman, wed to a descendant of Telephassa and her son attained Olympus too.   
  6. Demeter, was a second-generation Titaness. 
  7. Leto was also a second generation Titaness. 

With the list actually ending with Hera a second generation Titaness and Queen of the Universe.  Apparently, Zeus while in the process of reliving his glory days wanted to prove to his wife that no one compared to here.

My second obervation is that lovers 2-5 are sort of chronological. 

  • Number two; Danae is the great-grandmother of Number 5 Alcema
  • Number three; Europa is the aunt of Number four Semele.
  • Number four: Semele is aunt to the fourth generation of the husband of number five Alceme

The bedding of Leto and Demeter (in that order I think based on Artemis witnessing of Persephone’s kidnapping the in the HH2 to Demeter.) naturally would have occurred long before Zeus mortal daillances and his passion for Dia, wife of Ixion would have occurred last on a chronological list

My third observation is about the reason why love and passion did “overmaster the heart within (his) breast”on these seven previous occasions.  Pure speculation of course. 

 

#1)The fact that Zeus refers to this mortal woman as Mrs Ixion, rather than Dia, daughter of Eioneus, makes me wonder if his passion is some how spurred by the fact Ixion was just as passionate for Zeus wife Hera (Pindar, Pythian Ode 2. 32)  To complicate the issue Pindar says Ixion had  murdered his own father-in-law “For this offence he could obtain purification from neither man nor any god, until Zeus, showing himself a “gracious avenger”   took compassion on his suppliant, cleansed him of bloodshed, and even raised him to Olympus”  (Aaron Atsma)  Zeus’ affection for Ixion reminds me of a similar affection and betrayal in Olympus of his son and boon-companion Tantalus. (Hyginus, Fabulae 82 ) I wonder if his affection for Ixion some how was transferred to Dia.

 

#2)  I can’t explain Zeus passion for Danaë daughter of Acmsius, unless it was her “fair ankles”.

#3-5)  Follow Maya’s Law that “Zeus never liked a true human woman!”  More accurately put;  Zeus has a marked preference for banging Ionians and barbarian babes.

#6)  We have no story about Zeus and Demeter mating and I have no idea why he finds his own sisters so hot.  Oh wait, maybe I just explained that. 

#7)  Leto like Dia might be another case of tranferance of affection.  We have no myth relating Zeus’ opinion of Leto’s “loveliness”, but we know what he thought about her sister Asteria.  Ovid describes the resisting “Asteria in the struggling eagle's clutch [Zeus' disguise]." (Metamorphoses 6. 108)  To escape his passion Asteria turns into a bird and eventually an island. 

In summary, when discussing the list of Zeus’ greatest hits as recited atop Mt. Ida to Hera during an intimate moment.  We can say the following.  They are listed in ascending scale of social status.  The mortal portion of the list is somewhat chronological. Some cases conform to Maya’s Law, he might have a thing for his sister, and he believes as the Rolling Stones did;  “if you can’t love the one you want, love the one you are with.”

 

Friday, November 14, 2014

TFBT: First Paper at the First Annual Hour 25 Symposium


  I wish to thank Maya M.  for recommending  this topic.

 

Proper Personal Conversation in Greek Myth

presented by William Moulton

at the First Annual Hour 25 Symposium

November 14, 2014

Introduction

 

Nearest and dearest, this paper is inspired by the work of  Laura Slatkin, Lenny Muellner and the insufficiently known  Ian Johnston  on the topic of prayer in the epic.  My understanding is that the “typical structure of prayer” in epic is; the invocation of the divine, a reminder of the reciprocal obligations between the god and man, and the specific request. (Laura Slatkin The Power of Thetis page 62, speaking on Muellner Meaning of the Homeric EYXOMAI) 

 

I am proposing there is a similar structure for an idealized personal conversation;

  1. go apart
  2. touch,
  3. say a word,
  4. call by name and
  5. then speak. 

 

In this paper I present; examples of the proper  prayers to demonstrate my inspiration, my proposed standard for proper personal conversation , naturally there are examples of combining the two,  and finally discussion of  a famous example of an improper personal conversation.

 

Since this paper  focuses on “proper personal conversation” I’ve assigned related research to the  “Thetis Appendices”.  They are an “improper prayer”  and a study  of  proper personal conversation  in a non-epic example.

 

Proper Prayer 

 

Proper prayer can most famously be illustrated by Iliad 1:33.  Apollo’s priest Chryses just failed to ransom his daughter and was summarily expelled from the Achaean camps;

·        when he had gone apart,

·        the old man invoked Apollo by praying; Hear me, god of the silver bow,

·        reminded Loxias of their relationship with a if ever I roofed over a temple to your pleasing, or if ever I burned to you fat thigh-pieces of bulls and goats,

·        then requested specifically fulfill this prayer for me: let the Danaans pay for my tears by your arrows.


Many of the twenty prayers in the Iliad listed by Ian Johnston  
are performed similarly. ( Speakers and Speeches in Homer’s Iliad   by Ian Johnston http://records.viu.ca/~johnstoi/homer/speeches.htm) Understandably, prayers in the midst of battle would be somewhat abbreviated.  One proper prayer was in the Tenth book starting at line 227 when Odysseus and Diomedes depart on their night mission.

·        they went their way and left there all the chieftains.

·        Odysseus invokes Child of aegis-bearing Zeus, untiring goddess, hear me.

·        Reminds her of their relationship, You’ve always stood beside me in all sorts of troubles. I don’t move without you watching me.

·        Then requests, Grant that we two come back to the ships
covered in glory,

 

Likewise Diomedes, 

·        Invoked  Child of Zeus, invincible goddess, hear me.

·        Requests Stand by me

·        And then reminds  her of her affection and relationship with his family as you did my father, lord Tydeus, at Thebes…and I’ll sacrifice to you an unbroken yearling ox with a broad head.  (Often the person praying mentions mutual obligations of the past and promises of favours to come.)

 

Proper Personal Conversation  

 

Proper Personal Conversation  involving;  go apart, touch,  say a word, call by name and then speak;    might best be demonstrated with Iliad 1:347 where a distraught Achilles is comforted by his mother Thetis.  Achilles:

·        withdrew apart from his comrades, and sat down on the shore of the grey sea,

·        His mother Thetis stroked him with her hand,

·        and spoke to him,”

·        and called him by name:”

·        Then spoke, My child, why do you weep


Another conversation that surprising follows the convention for personal conversation rather than prayer can be found in Homeric Hymn to Pythian Apollo around line 300 

·        Hera went apart from the gods, being very angry.

·        She said some words, that is Hera prayed,

·        She touched the goddess Gaia by striking the ground flat wise with her hand,

·        Called Gaia and wide Uranus above, and you Titans who dwell beneath the earth about great Tartarus,

·        She requested; grant that I may bear a child apart from Zeus, no wit lesser than him in strength--nay, let him be as much stronger than Zeus as all-seeing Zeus than Cronus.

Notice the lack of claim to relationship or promise of favors as in a prayer.

 

PERSONAL CONVERSATIONS AS PRAYERS

 

 This style of conversation in the Iliad that continues to follow the formula above; usually, when the approaching party needs something from the other.  For example in Iliad 14.222 after lying to Aphrodite something awful and using neither formula;

·        Hera darted down and left the peak of Olympus;

·        she clasped him by the hand,

·        and spoke

·        and addressed him: "Sleep, lord of all gods and of all men” 

At which point a standard use of another’s name became an invocations and the conversations continued in the tradition of prayer,

·        Hera created a relationship between herself and the son of Night by stating,  if ever thou didst hearken to word of mine, so do thou even now obey,  and I will owe thee thanks all my days. (And gifts will I give thee,)

·        Then asks specifically  Lull me to sleep the bright eyes of Zeus


Thetis uses a similar formula when asking of Zeus the favor that her son Achilles never quite finished formally;  Iliad 1.493

·        she found the far-seeing son of Cronus sitting apart from the rest upon the topmost peak of many-ridged Olympus.

·        So she sat down before him, and clasped his knees with her left hand, while with her right she touched him beneath the chin,

·        and she spoke in prayer to king Zeus, son of Cronus:

·        called his name or invoked him, Father Zeus,

·        reminded him of their relationship, if ever amid the immortals I gave you aid by word or deed”  An understatement if ever there was one considering she rescued him when bound by the other gods.

·        grant me this prayer: do honor to my son, who is doomed to a speedy death beyond all other men; yet now Agamemnon, king of men, has dishonored him, for he has taken and keeps his prize by his own arrogant act. But honor him, Olympian Zeus, lord of counsel; and give might to the Trojans, until the Achaeans do honor to my son, and magnify him with recompense.


King Priam uses the same personal conversation turned prayer strategy at Iliad 24.468;

·        he found Achilles, but his comrades sat apart

·        clasped in his hands his knees, and kissed his hands, the terrible, man-slaying hands that had slain his many sons.
At this point formula for conversation or prayer would require the calling or invoking of the name of Peleus’ son.  Doomed and heartbroken, Priam might be forgiven his inability to say that terrible name.   He moves onto to the prayer formula.
·        He says Remember thy father, O Achilles like to the gods, whose years are even as mine, on the grievous threshold of old age.  Which we might understand as in “If ever you remember your father…”  Priam tries and affectively creates a relationship between Achilles a man who will never again embrace his father and the Priam who will never know his son’s embrace again. “and I bear with me ransom past counting
·        He states his specific need  I now come to the ships of the Achaeans to win him back from thee 

 

Improper  Conversation

An example of an improper conversation is the priest Chryses demands the return of his daughter in the name of the god Apollo.  The Priest did so publicly rather than in private, no indication that attempted to grasp Agamemnon’s knees, build a relationship of even called him by his name.  In response Lord Agamemnon  “spoke fiercely to him”, and maybe with good reason.  Based on the examples of Thetis supplication of Zeus and Priam’s of Achilles, Chryses was not supplicating  or conversing with Agamemnon  properly. 

 

Finally

 

I should mention that in my experience since working on this paper that all three styles of speaking in the Iliad are also affective in modern life. 

 

­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­The Thetis Appendices

 

Appendix A; Improper Prayer

 

An example of an “ improper prayer” is “the unrighteous prayer that Thetis had made of him, Zeus” (Iliad 15:599)  The gods can be famously fickle at ignoring prayers, such as at Iliad 6.311 when Queen Hecuba of Troy presented a great robe to Athena with a prayer “ So spoke she praying, but Pallas Athena denied the prayer” or when they are gone to the Aethiopians .  Thetis is just a mother, trying to do the best for her only child.  She is a Nereid, a gentle wave-goddess of the Mediterranean Sea.  , I was somewhat surprised to find her request characterized by “presumptuous in some translations of the Iliad (A. T. Murray)   I find “unrighteous” surprisingly judgmental for a poet so famously non-judgmental.  In the Iliad there are no bad guys, just people, some of them quite honorable, doing the best they can in a bad situation.  Her son Achilles is the greatest hero of the age and in the opening scene of the Iliad he is unrighteously insulted by Agamemnon the leader of the Greek forces at Troy.  Her request to Zeus the king of the gods, is simply that he right this wrong. 

 

 That doesn’t seem too “unrighteous”.  Plus, the wrath of Achilles is pretty much the story line of the Iliad.  When his wrath is quenched in mutual tears with King Priam the story ends.  The plot line of the Iliad turns on “Thetis’ unrighteous request”.  Without her request, there would be no story for Homer to sing.   

 

 So I decided to look at the Greek version  to better understand why Homer called her request for justice; “unrighteous”.  If I read the Greek correctly, (If!) the word in Homeric Greek is  ἐξαίσιος .   Which means; beyond what is ordained or fated.

 

 “Beyond-destiny”  is an event the gods cannot allow to happen for their own sakes; an event contrary to the Will of Zeus or whatever little side plot one of his kinfolks has going; or contrary to the decrees of Clotho, Lachesis and Atropos, the three Fates.  So, regardless of the English translations, Thetis’ request is not unrighteous, it is just outside the scheme of things.  

 

 And what is the scheme of things?  What is the Will of Zeus?  In the lost epic Cypria.  Mother Earth begs Zeus to relieve her of the burden the tribes of demi-gods living on her surface.  In answer Zeus and the goddess of order Themis, mother of the Fates conspire to wipe the heroes from the world with wars at Thebes and Troy.

 

 So who is Thetis to overthrow the decrees of destiny?  She is the foster  daughter of Hera, the sharp tongued Queen of Olympus.  It was Thetis who rescued King Zeus when his enemies bound him, and they dared not raise a finger to object.  It was Thetis who rescued the smithy of the gods Hephaestus when he was tossed from Olympus .  It was Thetis who rescued the wine god Dionysius.  And it was Thetis who could be mother to the next king of the gods.  Instead she was the mother of Achilles, star of the Iliad and the plot of the Iliad seemed to center on the Will of Thetis.  According to Nagy in some traditions ( The Best of the Achaeans, page 345) “Thetis figure as as a primordial goddess with the most fundamental cosmic powers”

 


 

The Gospel reading at church one rainy Sunday  was about the resurrection of Lazarus.  I was struck by the similarity of Martha’s words to Jesus and those of Achilles to his mother. 

 

John 11:21-22 “Lord,” Martha said to Jesus, “if you had been here, my brother would not have died.  But I know that even now God will give you whatever you ask.”  Meanwhile at Iliad 1: 393 "Achilles speaking to his goddess mother Thetis says, “… Help your brave son, therefore, if you are able. Go to Olympus, and if you have ever done him service in word or deed, implore the aid of Zeus”.    I noted during the reading how both Martha and Achilles seem confident that through their divine intermediary, their prayers will be granted by the high god. 

 

During the sermon Father Thomas mentioned Mary, Martha’s sister,  holding Christ’s ankles and reciting the prayer that her sister prayed before.  I immediately thought of the famous painting by Ingres of Thetis kneeling at Zeus’s feet.  So, we have John 11:32 "When Mary reached the place where Jesus was and saw him, she fell at his feet and said, “Lord, if you had been here, my brother would not have died.”  Thetis similarly at Iliad 1:500 “She sat herself down before him, and with her left hand seized his knees…saying, "Father Zeus, Lord of Sky, if I ever did you service in word or deed among the immortals, hear my prayer."

 

In scripture; John 11: 33 When Jesus saw her weeping, and the Jews who had come along with her also weeping; he was deeply moved in spirit and troubled."  In Iliad 1:517 "Then Zeus was much troubled and answered..."

 

So in summary we have both Martha and Achilles confident that through their divine intermediary, their prayers will be granted, Mary and Thetis kneeling in supplication, Thetis had to ask twice while Martha and then Mary made the same request and finally a “troubled” supplicated answers their prayers.   

 

What we don’t see in scripture that we do see in the Iliad is the, “if I ever did you service in word or deed” clause.  Maya M suggests this is because Mary and Martha never did anything (build a temple, burn a thigh,) for the Lord.  I would suggest that they hosted a dais for Jesus and his “hetairos”  Regardless the lack of the clause probably reflects the Christian concept of grace.
 

Elsewhere I’ve shared my studies on prayer in Greek mythology  and certainly others presented better findings then mine. Laura Slatkin (The Power of Thetis page 62,) speaking on Meullner’s Meaning of the Homeric EYXOMAI says the “typical structure of prayer” in epic is; the invocation of the divine, a reminder of the reciprocal obligations between the god and man and the specific request.

 

Thetis uses a similar formula when asking of Zeus the favor that her son Achilles never quite finished formally; Iliad 1.498.

 

1.     she found the far-seeing son of Cronus sitting apart from the rest upon the topmost peak of many-ridged Olympus.

2.     So she sat down before him, and clasped his knees with her left hand, while with her right she touched him beneath the chin, and she spoke in prayer to king Zeus, son of Cronus: called his name or invoked him, "Father Zeus...

3.     reminded him of their relationship, “if ever amid the immortals I gave you aid...

4.     grant me this prayer, and Zeus nodded.

 

Likewise Martha and Mary used this formula for a request that they never actually verbalize.

 

1.     John 11:18-20 Bethany was near Jerusalem, only a couple of miles away, and many of the Jews were visiting Martha and Mary, sympathizing with them over their brother. Martha heard Jesus was coming and went out to meet him and then when she told her sister, Mary left the mourners behind, she got up quickly and went to him. John 11:30 Now Jesus had not yet entered the village, but was still at the place where Martha had met him.

2.     John 11:32 When Mary reached the place where Jesus was and saw him; she fell at his feet and said, Lord…

3.     John 11:1-3   A man was sick, Lazarus of Bethany, the town of Mary and her sister Martha. This was the same Mary who massaged the Lord’s feet with aromatic oils and then wiped them with her hair. It was her brother Lazarus who was sick. So the sisters sent word to Jesus, “Master, the one you love so very much is sick.”

4.     The sisters never specifically ask for their brother’s resurrection, but Jesus easily infers it; John 11: 23 Jesus said,Your brother will be raised up.”

One more similarity I ran across.  For those that don't know, the thing that Achilles wanted, the thing his mother promised him at Iliad 9:412-13was
"If I stay here and fight at the walls of the city of the Trojans, then my safe homecoming will be destroyed for me, but I will have a glory  that is imperishable."  The Gospel writer Matthew also tells the whole story of Mary massaging the Lord's feet with aromatic oils and then wiping them with her hair. of this Jesus says at 26:13 "Verily I say unto you, where so ever this gospel shall be preached in the whole world, there shall also this, that this woman hath done be told for a memorial of her."
 

In conclusion; Achilles and one of the sisters are promised endless fame. There seems to be similarity between Martha and Mary’s supplication to Jesus in John:11 and that of Achilles to his mother in the first scroll of the IliadMartha and Mary along with Achilles appear confident that through their divine intermediary, their prayers will be granted, Mary and Thetis kneel in supplication, Thetis had to ask twice as did Martha and Mary and finally a “troubled” deity answers their prayers.   The sisters use an almost “epic” formula in their request. 

 

Bibliography

 

Slatkin, Laura  1991, The Power of Thetis  University of  California Press, Oxford, England

 

Johnston, Ian  Speakers and Speeches in Homer’s Iliad   http://records.viu.ca/~johnstoi/homer/speeches.htm

 

Homer  The Iliad  (Translated by A. T. Murray, 1924 Loeb) www.theoi.com

 

Homer  The Iliad  (Translated by Samuel Butler Revised by Soo-Young Kim, Kelly McCray, Gregory Nagy, and Timothy Power)   chs.harvard.edu

 

 Homeric Hymn to Apollo, (TRANS. BY H. G. EVELYN-WHITE  1914 Loeb) www.theoi.com

 

Nagy, Gregory  1979,  The Best of the Achaeans  The Johns Hopkins University Press, Baltimore

 

The Holy Bible (King James translation)

 

Acknowledgement

 

Nearest and dearest, you know I have said this a thousand times, but I cannot express to you how much my heart over flows with affection, admiration and gratitude.  I have sought you my entire life.  When chancing upon recorded lectures by my Hero Gregory Nagy, a dream sprouted in my heart.  An impossible dream for someone living in a fishing village on an island surrounded by wilderness areas; I wanted to study under Nagy.  Along came the massive on-line, open classroom called “The Ancient Greek Heroes in Twenty Four Hours”.  It was literally a dream come true.  And then after the dream began to fade; Hour 25!  I am living beyond a dream come true!  Who does that?  And it is all because of you, nearest and dearest fellow citizen scholars.  Win or lose today; whether your palms “burn from applauding to my jests”, offer me a “coat of stones”, or whether you fling me from the virtual stage, today is one of the greatest days in my life!

 

Allow me here to thank  Aaron J. Atsma of Auckland, New Zealand for The Theoi Project .  It is an incomparable website I use daily for research  :  www.theoi.com

 

Visiting scholars, CHS staffers and unknown others; thank you for your kind indulgences.  Thank you for your inspiration; Laura Slatkin, Lenny Meullner, Maya M and the insufficiently known  Ian Johnston.

 

And best of all, if I have any skill at appropriately apportioning inspiration, admiration and attitude, let the biggest piece go to Professor Greg Nagy

 

Curriculum Vitae

 

When I was introduced to Greek Mythology in fourth grade my fascination for the topic was so great I threw off the grading curve.  In junior high I use to sneak into the library at recess and study hall to read Gayley because “Classic Myths” was a reference book I couldn’t check out.  I studied Greek Mythology casually and informally my entire life.  So much so that I found myself  following threads of thought that I had followed before.  At that point I began to write papers on my findings and formalizing my thoughts so I didn’t have to do the research all over again. 


A few years back I finished my second novel and visited the “Festival of Books” in Tucson, Arizona along with 250,000 other people.  I was properly introduced to one of the many publishers with booths there.  The publisher asked how many FaceBook Friends and Twitter followers I had.  “None.”  So when I got home; I remodeled my blog; http://www.shortstories-bill.blogspot.com/, joined FaceBook as William MOulton and signed up for Twitter as @WilliamMoulton2.  I cross linked everything and began posting excerpts from my second book.  Knowing that constant new material is the secret to attaining and retaining readership I also posted essays and some of the “scholarly” pieces on Greek Mythology that had accumulated in the book shelf.    As time went on I add notes from my assignments at Hour 24 and Hour 25. 

So, guess what happen?  I was trying to build an audience for my collection of short stories and instead got a thousand hits a month from people reading my research in classical studies.  Who knew that  other people besides us wanted to read about “The Death of Structural Analysis”, “The Combatants of the Titanomachy  or “Nerites, The Father of Love   (Admittedly, is a great title.) 


Which  brings us to day, when I was asked to present a paper.  I asked “Maya M” the most active follower of my blog (Okay, the only follower of my blog.)  I asked Maya which blog post I should use for today’s paper.  She immediately responded with “Proper Prayer and Personal Conversation in the Iliad.” and a couple of other blogs that continued that line of research.