Showing posts with label Bacchae. Show all posts
Showing posts with label Bacchae. Show all posts

Wednesday, November 27, 2013

TFBT: Ripped Apart and Eaten by Dogs

We are entering the final week of The Ancient Greek Hero in 24 Hours an excellent on line class from Harvardx, hosted by my personal hero Gregory Nagy.
 
A “bacchae” is a frenzied female follower of the god Bacchus, also known as Dionysus.  It is also a famous Greek tragedy by Euripides.  One of the major characters in the play ends up dressed like a bacchae. This is King Pentheus of Thebes. 
Pentheus had an aunt named Semele.  Semele use to brag that she was the consort of the king of the gods; Zeus.  For her boast she got blasted with a thunderbolt.  Well at least that is what the Thebans believed.  One day a “man” arrives on the scene with a chorus of women from Asia Minor.  He looks remarkable like Pentheus.  This should have been a clue to the king.  In fact, this man was  Dionysus; the thrice-born god of wine and Pentheus’ first cousin.  The deceased Aunt Semele was in fact the consort of Zeus.  Dionysus’ embroyic body survived the fire that consumed his mother and survived. 
 
Things get really confusing at this point in the play. I will try to explain what comes next, meanwhile be aware that by the end of the play Pentheus is ripped to pieces by his frienzied mother and surviving aunts.  (As an aside,  legend says that at the end of his life the playwright Euripides was ripped to pieces by his patron’s dogs.)
 
Here is what happens between Dionysius’ arrival and Pentheus’ death.  Pentheus refuses to recognize Dionysius as prodigal cousin or as a god.  As a consequence the women of the royal household, go crazy and run off into the wild.  Professor Nagy point out in Chapter 21 of  “The Ancient Greek Hero in 24 Hours” at section 31 that the women of Thebes, the Theban bacchae “have lost control of themselves. But that does not mean that they are “out of control…. They are still under control, but the controller is now the god.”   At 21§32 he adds, “So, the possession of a woman’s mind by Dionysus is a positive experience when the woman possessed is performing a ritual”.
 
Greek Myths are often associated with particular rituals.  Ancient Greek tragedies are often based on myths. So plays often explain rituals.   Hence The Eumenides explains the trial by juror system.  Hippolytus explains initiation rituals in a town on the outskirts of Athens and Oedipus at Colonus explains rituals in the suburbs of Athens. So the Bacchae is explaining rituals too. What wasn't clear to me and unfortunately wasn't clear to Pentheus ; is that the Bacchae is demonstrating two rituals at once.
 
The Ancient Greeks staged tradegies with a handful of actors (if that ) and a chorus.  The chorus could represent the old men of a city, a group of woman concerned for the heroine or any other sort of homogenous peoples.  The chorus interacted with the actors and often voiced the questions they audience might have.  If you are a “Frankie Fan”; if you ever saw “The Rocky Horror Picture Show  you know how a chorus works because the entire audience is the chorus for that film.
 
The women who came from Asia Minor with  Dionysus are the chorus for the play.  This play, this myth explains the orgins of the annual festival where the tragedies were performed.  This is the first Greek tragedy.  To use Nagy phraseology the women; “ are in a mental state of equilibrium or balance when they participate in the rituals of Dionysian theater by performing the myth that motivates these rituals.” ( 21.33)
 
With Dionysus help, Pentheus dresses like a bacchae, so he can observe their rituals.   His mind befuddled by the god, Pentheus  some how doesn’t realize that the chorus of  women he is going to spy on . “ is not the chorus of the Bacchae. It is not the chorus of Asiatic women who have followed Dionysus to Thebes - and who are the ritually correct chorus of the drama. Rather, this would-be chorus consists of all the women of Thebes. They have left the urban civilization of Thebes and have relocated themselves in the wilderness of the mountains,”
 
The women on the mountain are reinacting another myth and another much darker ritual.  Long ago Dionysus was called Zagreus.  He was the son of Zeus and heir to the throne of the universe.  The Titans, the elder gods enticed the child away from safety ripped him to pieces and ate his flesh.  This is the ritual that Pentheus sees reinacted upon Mt Cithaeron.  When the women see him, the result is common to the uninitiated that trespass on the mysteries; death.  Pentheus is ripped apart on the exact same spot his Uncle Acteon was ripped apart and eaten by his own hunting hounds. 
 
The play ends with the Pentheus’ mother accompanied by the other women proudly marching into town to show off  “this lion's head, my booty from the chase.”  As the frenzy fades, it is left up to Pentheus and Dionysus’ grandfather to explain the will of the gods.


Thursday, July 11, 2013

TFBT: Random Notes on Hour 21


"The gifts of the gods are not to be rejected, as you no doubt know, since you have heard it from one of the devotees Calliope [epic poets]." Philostratus the Younger, Imagines 13

"as you say, filled with wine in a scene of wine-cups and tunes played on the pipe, and not at all hunting to find Aphrodite" (Bacchae 687-688)  This description reminds me of images of a symposium in Euripides’ time. 

Nagy argues that the first tragedy performed at Athens was Pentheus by Thespis and further that the shepherds in the Bacchae gathered at the foot of Cithaeron watching the maenads represents the first audience watching the first tragedy unfold. (I note the audience and actors stand at the wrong places in this primordial amphitheater.)  To add to the symbolism, apparently the Bacchae is one of the last tragedies we know of. 

" the one who is most terrifying, but, for humans, also most gentle." (Bacchae 861) Yeah, that accurately describes the effects of wine. 

Isn't the death of Pentheus the promised result to all the uninitiated who violate the mysteries?

About Euripides Bacchae 912-976;    I hate to be the one suggesting this but was Euripides going for laughs in this part of the tragedy?  This is the scene where Dionysius dresses up Pentheus as a girl so his cousin can spy on the revels of the Theban chicks gone wild.  People are terrible.  I can easily imagine the audience heckling the doomed antagonist.  If the actor played up the lewd aspect of the scene, Dionysius needing to readjust his "waistband" and the discussion of how to thrust with the phallic thyrsus could take on a titillating meaning. Plus, the dialogue is full of double meanings and inside jokes that are ironic if not even laughable.  An actor playing Pentheus as a vain, lewd fool could be quite amusing.  

“Bacchus, raising high the fiery flame from the pine torch, bursts forth from the stalk [narthex],” (Bacchae, Euripides 146-147) If Dionysius is akin to the  gift that Prometheus smuggled out of heaven in a fennel stalk, then Dionysius returning Hephaestus to Olympus is akin to fire being returned to the gods.  Which means it was stolen from Hephaestus' forge rather than Helios’ chariot. 

“equilibrium in ritual is matched by disequilibrium in myth, and this disequilibrium leads to catastrophe.”  Nagy in Hour 21 of The Ancient Greek Hero in 24 Hours.

As those who are involved in the mysteries say, Many are the carriers of the Bacchic wand but few are the bakkhoi . (Plato Phaedo 69c-d.)  Comparable is the aphorism of Jesus in the New Testament:  Many are called but few are chosen. (Matthew 22:14)”  Nagy in Hour 21 of The Ancient Greek Hero in 24 Hours.  

 “As a divine activator, Dionysus literally ignites the singing and the dancing as he leaps out, in an elemental burst of flame, from inside the fennel stalk or narthex of the sacred wand used for Bacchic worship. The picturing of such a flaming emergence from inside a stalk or a reed is a traditional idea that can be traced back, I argue, to Indo-European”  Nagy in Hour 21 of The Ancient Greek Hero in 24 Hours.   I find it interesting that Aeschylus says Prometheus stole divine fire for mortals in a fennel stalk. 

“The story of Euripides death has tragic overtones. Euripides was returning from dinner with King Archelaus of Macedon, when he was torn to pieces by dogs set on him by some jealous rival. In the Bacchae, one of the plays in Euripides’s final trilogy, Pentheus is torn apart by his female kinsfolk”. J.C. McKeown  Professor of Classics at the University of Wisconsin Madison and author of A Cabinet of Greek Curiosities

"So this tragic death of Pentheus...gives in a beautiful way what tragedy is all about. There is a negative hero Pentheus, a god antagonist to the hero, the hubris of the hero and finally his punishment that will lead to his kleos." Aristeagr in Hour 21