In preparation for a CHS Open House: The Beauty of
Homeric Similes, with Deborah Beck I recent re-read the death of Sarpedon in Book
16 of the Iliad. In my random notes I
will just be discussing things I hadn’t thought about before.
I wanted to
discuss a simile mentioned in the recent blog-post hyperlinked aboe.
“(Sarpedon]
fell, as when an oak goes down or a white poplar,
or like a towering pine tree which in the mountains the carpenters
have hewn down” (Homer Iliad 16.482-92)
or like a towering pine tree which in the mountains the carpenters
have hewn down” (Homer Iliad 16.482-92)
Maybe Homer never dropped a towering pine, but I
have. I was sawyer on a firefighting crew. There is a moment,a terrible,
awesome moment announced by a loud snap. That loud snap is as earthshaking as a
thunderbolt. Sawyer and swamper hold their collective breathes. The tree might
shatter its length and explode. It might kick back and swat away the sawyer
and his therapon like a mother swatting a fly away. It might hesitate and
wobble, the trunk heading downhill while hurling the top like an ashen spear
back at the saw team. If it falls the way it should, the sawyer and his swamper
quietly follow their escape away and then stop. As first there is no sound, as
the pine falls towards the valley below. Then the rush of the wind in the
branches begins to roar like the winds rushing through the forest. Then it slams into the
slope below and shakes the earth, loosening boulders and shaking “widowmakers”
out of the neighboring trees. The moment ends with the tinkling of loose rocks
below and the crash echoing from the opposite hill. That’s how Sarpedon fell.
“(Sarpedon)
spake, and leapt in his armour from his chariot to the ground. And Patroclus,
over against him, when he beheld him, sprang from his chariot.
“ 16.426
Can you imagine leaping from a chariot dressed
in full armor and racing at your opponent?
This is the apothrathic (spelling)
moment. It is a big thing in the
interpretation of myths. It’s that
moment between sky and earth, now and then, it is a momentary sacred spot.
"I
(Zeus) shall snatch him up (Sarpedon) while yet he liveth and set him afar from
the tearful war in the rich land of Lycia."
Hera as Queen and leader of the more conservative faction on Olympus
seriously objects and a big scene ensues.
Zeus is forced by political considerations to allow Sarpedon to
die. He wept dark tears of blood at this
realization. Hm, Apollo snatched up
Aeaneas and Agenor without Hera objecting, what’s the difference?
"horse
shrieked aloud as he gasped forth his life, and down he fell in the dust with a
moan, and his spirit flew from him" Horses have
souls?
"Patroclus,
of the shaggy heart"; Patrocus is hairy-chested like his cousin
Achilles as is Hephaestus apparently.
Not the way they are usually portrayed in films, paintings and
sculpture.
Then
the mighty monster hobbled off from his anvil, his thin legs plying lustily
under him. He set the bellows away from the fire, and gathered his tools into a
silver chest. Then he took a sponge and washed his face and hands, his shaggy
chest and brawny neck; he donned his chiton, (18.410]
Hera's point was that Zeus wanted to intervene for the sake of his child, while other gods already had lost children in this war orchestrated by him. A god was allowed to intervene on behalf of his protege; there are numerous examples. However, the only example I remember of a god saving his child is Aphrodite with Aeneas. This was allowed, for Aeneas was to survive; even pro-Greek Poseidon would protect him.
ReplyDelete(I doubt, however, that Zeus was sincere in his wish to save Sarpedon.)
Maya,
ReplyDeleteAgenor was rescued by Apollo, no relationship. Agenor died later in the Iliad, of course. But, maybe you are right, maybe saving demi-gods is a rarity.
Bill
Maya,
ReplyDeleteOkay, how about Hippolytus (Virbios), ino, Melicertes, Helle and Diomedes?
Bill
Some have been immortalized (though not all listed are unanimously considered immortalized; and only Diomedes is participant in the Trojan War).
ReplyDelete